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  • Damon Johnson (2013)

    Posted January, 2013

    If you’ve been reading Boomerocity for very long at all, you already know that Damon Johnson is considered a friend of this website. I first interviewed the guitar slinger (here) when he had just released his acoustic solo project,Release, and was still playing guitar for Alice Cooper. By the end of the year, the word was out that Damon flew the Coop (so to speak) and joined up with the band of his youth, Thin Lizzy. Of course, Boomerocity talked to him about that move (here).

    Naturally, with the news that Thin Lizzy was coming out with a new studio album but under a different band name – Black Star Riders – as well as Damon hitting the road for a series of acoustic shows in various states – I had to track the boy down and get the scoop.

    He was kind enough to call me from his home in Alabama and chat for a bit. I started off by commenting that a lot has happened in the year since we last spoke and that Thin Lizzy has made some tactical career changes. I asked him to fill me in.

    “I joined Thin Lizzy in October of 2011 and immediately all the discussions had turned to talking about making a new album. For any heritage rock act, it’s truly important to have new music out there. It gives you something to promote, something to talk about in the press related things, interviews, etcetera, etcetera. And the unique situation with Thin Lizzy is, obviously, they hadn’t made an album of original material since 1983 when Phil (Lynott) was still alive. The reasons for that are various. For the new Thin Lizzy – the 21st century version of Thin Lizzy – to continue this great momentum that the band has been able to achieve in the last two years, the logical next step was to put out some new music.

    “So, we were all committed to that idea and went ahead and started writing early in 2012 and had even gone to the press and said as much – that that was our plan. As the songwriting continued and as we got closer to going into the studio in October to actually make the album, we started having some second thoughts. Obviously, there are a lot of lifelong fans that were a bit conflicted and understandably so. The straw, for us, that helped us make the decision that we did was when we spoke to Phil’s family – his widow and his daughters – because they’ve been incredibly supportive of this new revitalized Thin Lizzy that’s been out on the road touring. But the subject of new music under the name Thin Lizzy that would get released around the world with no Phil Lynott in it – it made them uncomfortable and it always made the fans uncomfortable and we were never a hundred percent sure ourselves.

    “The good news is that we were totally energized and excited about this new music that was being written and none less so than Brian Downey and Scott Gorham. They were really fired up about the material. So it just made more sense – for all these reasons – to come up with a different name and put the music out under that different name and then let the world know, hey, this was going to be the new Thin Lizzy album and literally and simply out of respect to Phil – and out of respect to the amazing legacy that original band established and achieved – it makes more sense to put it out under a new name which, as you know, is Black Star Riders.”

    Johnson’s comments begged the question: Is Thin Lizzy going away or is the band going to assume two identities?

    “I think the way you just described it is a good way and that is the band is going to assume, essentially, two identities. But the performances as Thin Lizzy are going to be much, much less than what they have been over the last two years. That really has a lot to do with the fact that we love these new songs and we want to get out and build that name, Black Star Riders, and, obviously, we’re going to have to do a lot of touring to accomplish that and to promote the record. 

    “Secondly, my band mate and lifelong hero, Brian Downey, he’s at a point in his life that he doesn’t really want to do 120 shows a year. That’s a lot of work. That’s a lot of travel. That’s a lot of time away from your family. I think we would all agree that Brian has nothing to prove to anybody. The guy’s a legend. So, for him to decide thirty or forty shows a year makes much more sense to him, then that actually fits perfectly with rest of us and our desire to go out and promote the Black Star Riders album and to do dates as that. So, me and Ricky (Warwick), especially, it’s absolutely the best of both worlds. We get to write songs that are completely influenced by Phil Lynott – totally influenced by Phil Lynott – and then get to go out and play those songs live and, as Black Star Riders, we’d be crazy not to add some Thin Lizzy songs to the set.”

    Continuing in that line of thought, Damon added, “I just think that once we put some time into educating the public – and we’ve got a lot of great support from the press, particularly once we made the decision to not record as Thin Lizzy – there was a collective exhale on a lot of people’s part. It just reinforced that we had made the right decision. We’re excited. We’ll see how it all plays out once the record comes out. The plan is, hopefully, for it to come out the middle or end of May. We’ve got all the gears in the machine turning towards getting this record out in May and we’ve already got festival dates booked in June as Black Star Riders.”

    To the question of what the reaction from Thin Lizzy fans has been so far, Johnson said, “Well, the fan reaction has been across-the-board positive simply for the fact that we made a decision. Absolutely positive. I think it was confusing to people in the beginning, which I understand that, as well. But now that it’s been a couple of months since we made the announcement, people are starting to go, ‘Yeah, now I get it! That totally makes sense!’”

    It was at this point that I had to ask an obvious question: What’s behind the name, Black Star Riders?

    “It’s a name Ricky came up with and we all really loved it. When we were trying to come up with a band name, I’d rather eat my own eyeball than to come up with a band name. It’s one of my least favorite things to do. Ricky called me and said, ‘Man, I’m working on some ideas. I’m going to send an e-mail out to everybody by the end of the week.’ I said, ‘Great!’

    “So, he sent an e-mail that had five or six names that he had whittled down from, I’m sure, two or three dozen – knowing that guy. He’s so creative. But for me and Scott, Black Star Riders is a bit of a tip of the hat to our favorite movie, which is Tombstone. We love that movie, man – with Kurt Russell and Val Kilmer and the whole story about Wyatt Earp and Doc Holliday. Little kids are into Disney and grown men are into Wyatt Earp and Doc Holliday! Ha! Ha! So, Black Star Riders is sort of our version of Wyatt Earp and his immortals. We all feel really good about it and we felt like it fit the music, fits the vibe and it was something we could all get behind. Which is the main thing: As long as the five of us could feel good about it, then it’s really up to us to put out some good music and the music will define the name.”

    About the new album, what can you tell us about it? 

    “I’m so fresh from coming out of the studio that I still have to talk about Kevin Shirley (producer of BSR’s album). I’ve been a fan of a lot of records Kevin has made throughout the last twenty years. He’s somebody on my bucket list that I’ve always said, ‘Wow, it would be great to make a record with that guy’ and I just never thought it would ever happen. So, when his name came up and he expressed such deep affection for Thin Lizzy and their influence – not only on the world but on him specifically. He was a big fan of Phil, Scott and the guys, like the rest of us.

    “He treated this recording in the absolute perfect way and that was to get us all in a room together and have all the drums set up, all the gear set up. We’re all in a circle looking at each other as if we were in a rehearsal room or doing a show and we just tracked it live as a band. There was no, ‘Okay, let’s just get the drums and we’ll come in and do the bass and we’ll put the guitars on.’ I didn’t want to do that from the beginning so I was elated that that was how he wanted to approach it. To me, it’s what’s going to make the record sound more classic and a little more old school. We’re shamelessly old school. We prefer the classics of the seventies over most of the stuff being made today.

    “So Kevin really did an amazing job and I can’t say enough about what a positive experience it was working with him. He brought all of that experience and instinct to the table. The other thing I think he was excited about is that we had done a mammoth amount of work before we had even got there. We made very elaborate demos on our own back in the early fall. So he knew going in that it was a project that we could come in and knock out pretty fast. We literally did twelve songs in twelve days and that was it! That aspect of the record was real important to me and a real pleasure to experience. Then, again, the songs – they sound like classic Thin Lizzy but up to date. Twenty first century Thin Lizzy. There’s no gray area that you go see live now – that is Thin Lizzy – and what the Black Star Riders record sounds like.

    “The one differential being the drums. Jimmy DeGrasso, who I played with in the Alice Cooper band for three years – he’s always been one of my favorite drummers – that guy studied at the feet of Brian Downey and those records. Jimmy always insisted on how would Brian play it? What would Brian be thinking? That’s a lot easier said than done. I’ve played with a lot of drummers through the years and I’ve been covering The Boys Are Back In Townsince I was seventeen or eighteen years old and I’ve got to tell you, man, there’s not a lot of guys who can swing that song. They can’t swing it and make it have the right feel and the way that Brian does. Jimmy is one of those rare drummers that can really do that. To me it’s even rarer to get that from a rock drummer. Most rock and roll drummers, they just want to beat the hell out of everything and play hard. That’s cool and all but that shuffle feel that Brian has, in my humble opinion, that’s where all the sex was in all the Thin Lizzy records. Anybody that’s passionate about that kind of stuff will absolutely agree with that.

    “The thing I’ll tell you, too, is that we made this record for ourselves. We absolutelyhad the fans in mind and we know, from a business standpoint, that if it doesn’t sound like Thin Lizzy then it alienates this pretty significant fan base that we’ve been working really hard the last two years to nurture and to bond with. But I think the unique thing for Scott and Brian, with all due respect, there’s a part of them that didn’t really want to try to sound like Thin Lizzy since Phil passed away. You know what I mean? It’s not like they were going, ‘Well, I want to make a record that sounds like Lizzy with some other people.’ I think that happened by accident. I think the key ingredient was getting two guys in Ricky and me into the band who are career songwriters as well as performers who just happen to have a deep, abiding love for Thin Lizzy. To have Scott there by my side and for me to play a riff that completely was influenced by Johnny the Fox and Bad Reputation and have him say, ‘Hey, man, this is really cool!’ He doesn’t even connect the dots. He doesn’t even know that I’m totally lifting something from Soldier of Fortune. I’m like, ‘If Scott doesn’t catch it, nobody else is gonna catch it!’ I guess you can call that a fun game of cat and mouse.

    “There were definite moments during the recording that I would just have goose bumps and think, ‘Wow! I could’ve never foreseen this day ever in my life!’ This is, essentially, my Thin Lizzy tribute record and I had always wanted to do that anyway. I’ve had a list of songs for over ten years – Thin Lizzy songs - which I always wanted to record, do a tribute record, and do my version of them. This is that times two and Scott Gorham’s my guitar player! It doesn’t get any better than that, brother! Absolutely!”

    Our time was running out but I had to ask Damon about a handful of acoustic sets that he was about to do in Texas and Oklahoma. I wanted to find out what fans could expect from those shows. 

    “The acoustic dates that I’ve done throughout my career have always been incredibly fulfilling and it’s an amazing opportunity to play new songs and pull some old songs out of my catalog that I haven’t played in a long time or never played in an acoustic setting. I’ll maybe pull a couple of covers that I love out of the bag. It never fails when there’s been a passage of a year or two between my visits to a certain city, the set list is generally forty or fifty percent different than it was the time before. This will be no exception. I’m excited to play some new songs that I’ve written and just revisit my catalog. I really get a kick out of that and am grateful that I’ve got some fans out there that are interested in coming and hearing that with an acoustic setting.”

    I still love Release and, as I’ve written before, Pontiacis still my favorite song. Because of my genuine love of that album, I asked Damon if there are any plans for a follow up to it.

    “Yeah, absolutely, and thank you for saying that, by the way. Pontiacis easily one of my two or three favorite songs from the whole album. I’ve been grateful for the response – particularly about that song. I would love to do acoustic records from this day forward. The plan in the back of my head right now is to make my first proper ‘electric’ solo record and I’m sure that there’ll be something acoustic oriented that will pop up on that, as well. Release was a pivotal record for me because it gave me a lot of confidence as a writer and as an arranger. Again, the response to it has been really positive and I’ve been pleased with that. It gives you that motivation to roll up your sleeves and do it again. Plus the fact that I love the acoustic performances so much. It sure makes sense to have another acoustic based record out there that I can get out there and tour behind.”

    And speaking of that tour, you can catch Damon at the following dates and venues:


    02/07/13 – Ft. Worth, TX – Live Oak Music Hall & Lounge
    02/08/13 – Ardmore, OK – Two Frogs Grill
    02/09/13 – Dallas, TX - Poor David’s Pub (Will I see you there?)
    02/10/13 – Denison, TX – Loose Wheels

    Order your tickets now because they’re going out in a blaze of glory!

    Click here to keep up with the latest onThin Lizzy andBlack Star Riders.

  • Damon Johnson Discusses "Echo"

    Posted August, 2016

     

    damonjohnson2016002If you’re a fan of Alice Cooper, Thin Lizzy, or Black Star Riders, then you most definitely know who guitarist, Damon Johnson, is. His finesse on the axe has taken him around the world with these acts who are household names in the music world.

    Damon recently released his latest five song EP entitled, “Echo” (available on Amazon and iTunes) and recently chatted with me about it, beginning with answering my question as to how many solo albums “Echo” makes for him.

    “Yeah, I guess, technically, this would be my third but it is truly my first fully electric album. I put out two acoustic albums. The first one was almost a fluke. It was just for fun. Then, I put out another one back in 2010. So, this is my first, fully realized, full band, lots of guitar kind of album. I’m really, really proud of it. I hope that it’s the first of many.

    “I love this idea of the EP. I really do think it’s a great concept to have four or five brand new songs and get those out. Then, maybe within a year, get another four or five songs out.”

    Johnson shared what the motivation behind the EP was.

    “I would say that, truly, the greatest motivating force had to be my producer and my great friend,johnsonschonguilfordDamon (R) with Journey's Neal Schon (L) & luthier John Guilford - Photo by Randy Patterson Nick Raskulinecz. Nick and I both live in Nashville. I have been a fan of Nick’s for years. He’s produced so many great rock records. So, when we met randomly at an Iron Maiden show a few years back, I was just knocked out to get to talk to this guy! He was so approachable and really cool. Ironically, our wives became really close because Nick and I have small kids. So, while he and I were doing our various things, the girls would actually connect and get the kids together and whatever.

    “So, Nick produced the second Black Star Riders album, The Killer Instinct. It was a great experience for the whole band but it also gave Nick a chance to really get to know me and what I’m all about musically and as a rock writer and as a player. Not long after we finished that album, he called me out of the blue one day and he said, ‘Hey, man, I’ve got some time. My studio is free. If you want to come on in and record some of your own stuff . . . “and he said, “I’m sure you’ve got songs,” which I did and always do.

    “I think, really and truly, it was that phone call. In my head, I had always thought, ‘Wow! It would be great to record some stuff” but, man! It’s a process. There’s a lot of moving parts. You’ve got to get the guys. You’ve got to pay the guys. You’ve got to pay for the studio. There’s so many factors. With Nick’s help, it was incredible.

    “Once we started taking steps in that direction, then I really got the momentum up in my brain to carry it all the way and get it done.”

    Continuing by sharing who was on the EP with him, Damon said:

    “There’s a guy on drums, Jarred Pope, who played with me in a band called Whiskey Falls. I did a country project back in 2007 for a couple of years. I met Jarred when he was still living in Bakersfield, California. I was blown away by his musical instincts as a drummer. I always told him, ‘One day, bro, we’re going to figure out a way to get a studio or get on stage and play some rock and roll.’ Ironically, Jarred is another transplant to Nashville. He moved to town a little before I did so as soon as I arrived, we hooked up and introduced him to some people I knew and vice versa. So, when I got ready to do this solo thing, I didn’t hesitate to reach out to Jarred.

    “On the bass guitar, is a guy a named of Tony Nagy. I met Tony through my good friend, Chuck Garric. We played together in Alice Cooper. Chuck is still in Alice’s band. Chuck is also a new transplant to Nashville. I always call Chuck first because he’s my brother and we’ve done so much together. I love him and his wife. They’re amazing people. But he had so many other commitments so he said, ‘You gotta check out this guy, Tony Nagy.’ That’s how Tony came to me.

    “So, it was just the three of us in the studio. I play all the guitar. All the keyboards. Taurus pedals. Some percussion. I just had a great time! I really couldn’t be happier with how it turned out.”

    Johnson then shared a rundown about the stories behind the five songs.

    damonalicegenland1Damon & His Former Boss, Alice Cooper - Photo Courtesy of Damon Johnson“There’s two songs: ‘Dead’ and another song called ‘The Waiting Kills Me’. I wrote them both with my friend, Kelly Gray. I don’t know if you remember, Randy, that Kelly produced the Wishpool album for Brother Cane. Kelly and I also had a band together for a little while called Slave To The System. These were two songs that we thought might make a sophomore STTS release. It just wasn’t possible to get everybody’s schedules to line up. I knew that they were both great songs so I’ve been kinda sitting on those for a while.

    “Another song is “Nobody Using,” which I really love. It’s got so much tempo and energy. It just kicks ass, man. It reminds a lot of my fans of “Got No Shame” – kinda reminiscent of that in its intensity.

    “Yet another song is “Just Move On” that I co-wrote with my buddy, Marty Frederickson, who I’ve worked with for two decades now. He and I wrote all those Brother Cane songs together. All the radio singles – we wrote those together.

    “Then, Marty actually brought me what I feel is a gift in the form of a song called ‘Scars.’ ‘Scars’ is probably my favorite song of the five. Just an incredible lyric and an amazing vocal melody and it just gave me a bed to come up with some really – I guess – fulfilling guitar parts. I tried to keep them very lyrical. It’s a great lyric. It really spoke to me and I’ve had a lot of people reaching out and talking about how much they love that song.

    “All five songs are different. Different in tempo and dynamic. Lyrical content. I kinda think that’s been my story my whole career. I’ve never really been part of one style or one specific sound. I wouldn’t have it any other way. I’m very pleased to get these five songs out to represent where I’m at, right now, and where I’m headed.”

    When I asked Damon which song he would use as a calling card for “Echo”, he said:

    “I guess that I would have to base that some feedback I’ve gotten from the fans, my friends, and my inner circle. I think a lot of people are gravitating towards ‘Dead’. ‘Dead,’ in some ways, it could’ve been a really cool Alice Cooper song. Lyrically. Guitar-wise. Kinda trashy. It’s got a real sexy tempo to it. I just think it’s exactly what you said. It just might be the statement song for the album. I have to mention ‘Nobody Using,’ as well. I’ve gotten a lot of great support in Europe. I’ve gotten some radio airplay. A lot of my Black Star Riders/Thin Lizzy supporters over there have gravitated towards that song. I have to give some credit to my great friend, Johnny Blade. He and I wrote that together. He’s another monster talent. I love to get into a room with another creative mind like that. Nine out of ten times, we not only come up with something, but we come up with something pretty fast. He and I are actually working on some new songs right now so you’ll hear more from that collaboration.”

    As for tour plans in support of the EP, Johnson shared:

    “There are absolutely plans to get out and tour. The way my schedule looks for the next six months, we’re going to do a handful of Thin Lizzy festival dates. In August, Black Star Riders are back in the studio with Nick Raskulinecz right here in Nashville to record the follow-up, which will be our third album. So, as soon as we get that wrapped up, that is totally my plan - is to be out, doing some dates to promote ‘Echo.’ That will probably be the latter part of September and into October and November. I’ve already done a handful of shows with my guys. The set list is just ridiculous. Plenty of Brother Cain songs. I play a couple of Black Star Rider songs. We certainly do a Thin Lizzy song. We pretty much play everything off of the new EP and we’ve actually worked up a medley of BAD. ASS Alice Cooper songs. It lasts about eleven minutes. It’s a barn burner, Randy! I hope you get to hear it!

    The music world has been a-buzz with news that Damon’s former boss, Alice Cooper, was reuniting his original band members for a new album. I asked Johnson what his thoughts were about that news.

    “I’ll say this: I’m a little out of the loop as to what or how those specific plans are coming together. I truly am. I know that Alice has been busy with his Hollywood Vampires thing and he has dates with his current band kind of booked throughout the remainder of the year. If there are, indeed, dates with the original band – there’s no question that that would be and is very, very cool! It’d have to be fun for Dennis and the guys to go out and do some proper dates with Coop like that. And I think it would be great of Alice to give those guys that opportunity.

    “That original band was incredibly special. The further distance we get away from that, I think it becomes even more obvious how special they were. Alice has had dozens and dozens of different lineups as a solo artist through the years. But nothing can touch that original band. There was a special chemistry and it was a special sound that had a special swagger that’s not been duplicated since then. Not necessarily that he wants to but those guys played very, very unique together. You can bet – if they’re out there on some dates, I’m going to see one . . .or ten! Ha! Ha! If humanly possible, I’ll definitely be in the house to see that!”

    Regarding what’s on his career radar for the foreseeable future, the renown axe man said:damonjohnsonthinlizzyPhoto Courtesy of Damon Johnson

    “The plans for me, I’m hoping, are a mirror image of everything that has happened over the last twelve months. It’s really been the most fulfilling year I think I’ve ever had in my career. It’s an honor to be a part of Black Star Riders. It’s a real band. It’s truly growing its fan base at a time where it couldn’t be more difficult for guys our age just playing straight ahead rock to go out and build a following. We feel that momentum. We’re energized by it so we’re going to absolutely be balls to the wall with continuing Black Star Riders.

    “Thin Lizzy, it’s Scott’s band. Scott is my brother; my bandmate in Black Star Riders. Whenever he wants to do a handful of those, I’m certainly available. Again, what an incredible experience for me and Ricky to be a part of that Thin Lizzy band with Scott, as well. The rest of the time, I’ll be doing my stuff. I really would love to put out another acoustic album. My wife laughs. She goes, ‘You’re kind of like a southern version of Neil Young. You can put out these introspective, folk singer/songwriter things and then fire up the amps with the band and be rockin’ in the free world.’ Ha! Ha! So, I told her that was an incredible compliment so I’m certainly flattered by it.”

    Whether you catch Damon with Thin Lizzy, Black Star Riders, a random pick up jam band, or one of his amazing acoustic gigs, you will be in for an incredible musical treat. If you get the chance to meet him, you’ll have met one of the nicest, warmest, most genuine people God’s green earth.

    Keep up with Damon at any of these links:

    Website:     Damon Johnson     Thin Lizzy     Black Star Riders

     

    Twitter:      Damon Johnson      Thin Lizzy     Black Star Riders         

    Facebook:   Damon Johnson     Thin Lizzy     Black Star Riders

  • Release

    releasealbumcoverRelease
    Damon Johnson
    Label: CDBY
    Reviewed: May, 2011

    Release is the second solo project released by guitarist, Damon Johnson, which, like his first solo album, Dust, is all acoustic. While there are some tunes between the two albums that complement each other, Release presents an excellent collection of mostly Johnson crafted tunes that have a feel and vibe all their own.

    Beautifully crafted lyrics, perfect melodies and chording on the guitar and vocals all make Release a must-have album for your listening library. While Johnson is certainly capable of blazing acoustic and electric guitars, alike, with his incredible playing ability, it’s how he plays simple chords and melodies on each song. One additional note or chord would have upset the balance of these excellently crafted jewels and Damon seems to know that as he offers them up. Cuts like the title song, as well as Dayton, Ohio, Leave It All Behind and Satellites conjured up memories of Layne Staley while have sounds distinctly Damon.

    As is often the case, while I loved the entire album, I do have a couple of personal favorites. Pontiac takes me back to my teens, tearing up roads all over the country. I swear that I can almost smell the farms and orchards I used to drive by as a kid as I listen to this song. Another favorite is Just Feel Better. Co-written by Damon and originally recorded by Santana with Aerosmith’s Steven Tyler kicking in with vocals, Johnson sings it with the heart and soul of one who lived the story told within the lyrics. Listen to this song once and it will stay in your cranium for hours.

    Okay. I lied. I have a third favorite from the album. Generation Landslide from Alice Cooper’s 1973 album, Billion Dollar Babies, is remarkable for several reasons. One being that, though performed acoustically, the song is bang-on identical to the original recording. So much so that the second reason for its remarkableness is that, because I knew that Alice was on that song, I assumed that he provided all of the vocals on it. Nope. Except for the help on the chorus lines, Johnson delivered a perfect delivery of the tune. It even fooled the Snakemeister himself (you can read about that here). The third remarkable attribute of this song is Cooper playing the harmonica exactly as he did on the original recording. This song alone is worth the entire purchase price.

    If you love great acoustic guitar gently coated with beautiful lyrics and delivered with perfect vocals, you will want your copy of Release. You’ll be telling your friends all about it by the second listen. It’s that good.

Featured Photo

Jim Keltner.Broken Glass DW

Our Featured Photo by Boomerocity friend and famed rock photographer, Rob Shanahan (robshanahan.com), is is a bit different from past featured photos. 

 

 

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