Article Search...

Peter Asher Talks About The Beatles A to Zed

Posted November 2019

Asher Peter with Buddy Holly guitar CroppedIt’s hard to believe that next year marks the fiftieth year since The Beatles broke up, each going their own creative ways. Since the break-up, there’s been a plethora of books, movies, compilation albums, and documentaries.

A gentleman who was there pretty much from the git-go is the legendary Peter Asher. For those of you who don’t know who Peter is, he is the “Peter” of the 60’s British duo, Peter and Gordon. Their first big hit as a song, A World Without Love, written by Paul McCartney, who happened to be engaged at the time to Peter’s sister, actress Jane Asher.

Peter later moved into artist management with people like James Taylor and Linda Ronstadt among his clients. He has also been a record label executive and prolific record producer for a wide range of artists such as Cher, 10,000 Maniacs, Andrew Gold, and J.D. Southern.

Oh, and if you’re a SiriusXM subscriber, you may have caught Peter’s show, From Me to You, on the Beatles Channel (channel 18). When he’s not on the radio, he’s performing shows across the fruited plain with Jeremy Clyde (of Chad & Jeremy).

Amid all of this, Peter has written an interesting and intriguing book entitled, “The Beatles from A to Zed”. The book is a natural off shoot from his satellite radio program. In it, he shares his reflections into a unique alphabetical journey through some of the Beatles’ songs that happen to start with each letter. He also spotlights recurring themes within the songs, talks about the instruments used, and many other interesting factoids behind and about the songs.

I caught up with Peter by phone as he was working on some advance recordings of his radio show. Because of that, I asked Asher if had anything special coming up on the show.

“Well, no. I don't have guests on - or, I haven't, yet. So, it's just me. You know, I mean, me thinking of things to talk about and music to play. So, no, there's nothing special. I mean, I've recorded a few shows ahead of time, obviously, because now I'm in the middle of all this book promotion stuff, so. You know, I needed to have a few shows ahead.”

Changing the subject over to the book, I asked what the pre-release buzz was, so far, on the book.

“Apparently, I mean, people seem to be liking it. There's been a few advanced reviews that have been very positive, so I don't know. The book world is new to me. I've got some friends who are authors, but I've never had a book out before. So, it's a different process. And it's fascinating. But apparently, I mean, they tell me everything is going very positively and that the reaction, so far, is good. So, we shall wait and see.”

I commented that the book is a fun-filled encyclopedia of Beatles stuff.

“Yeah, I love that it rambles quite freely. But it's not, in no sense, an encyclopedia or meant to be any sort of a definitive S Ed Sullivan with PGEd Sullivan with Gordon and Peterreference book. I think the description of it is alphabetical mystery tour, which was the thought. It is quite apt in the sense that I'd sort of follow a similar idea with my radio show, follow the story wherever it led me. And use the alphabet as a very rough format. It doesn't use the alphabet for just song titles, but people and places and musical instruments and musical styles and all kinds of stuff. It's a very freeform encyclopedia.”

When I stated that my feeling was that he approached the book as an informed fan, he enthusiastically replied:

“Oh, definitely! No question! I am a fan! But yes, I wrote the book as a fan and not as any kind of an expert. I mean, I got introduced the other day as a Beatle expert, I said, 'No, I'm not an expert at all. I am a fan who also had the good fortune to be around to witness some of the events and hear some of the music, meet some of the people involved in the whole extraordinary Beatles story. But essentially that just means that I'm kind of a well-connected fan but just a fan, nonetheless.

I asked Peter what he hopes fans take away after reading The Beatles from A to Zed.

“Oh, that's interesting. I hope it makes people go listen to the music again, I suppose, in terms of what it would achieve, I think. I mean, I think one of the advantages of - Well, let's put it this way: When I set the radio into the book, of course, First, I was, like, "That will be easy, because we'll just transcribe everything I said on the radio. It'll be brilliant!". And, of course, it was far from brilliant. It was awful because the way you write and talk when you're just talking to somebody on the radio and following your analysis, it is very different than writing a book. So, I had to rewrite the whole thing.

“And the other thing I realized, of course, is that when you're doing a radio show, you play the music. You have to say a couple of sentences and then play it (the song). Whereas writing a book about the music, you have to actually get more specific and then more descriptive about what it is about the music that's so good. So, I did a lot of writing along those lines. But nonetheless, of course, people do have the opportunity nowadays to have the book in one hand and Spotify in the other, and play and read about the points I'm trying to make about the music and then listen to it and see if you agree.

“So, as far as what I hope people get out of it, I hope they’re entertained by it, that they’re amused by the passage of time. But I also hope maybe that they listen to the music with a new appreciation; that it (the music) is actually brilliant The Beatles were and are.

And how long did the book take Mr. Asher to write?

“I'm not certain I want to get it. It was a huge project. It was much bigger than I expected because I would with the transcripts of the radio shows and then go, ‘Oh, my God, it needs massive amounts of work!’ So, each sample was a great deal of work. So, I will not pretend that there weren't moments where I said, 'I don't know about this book stuff!', you know? It was a challenge. I like to try to write reasonably clearly and well. And I didn't want to co-write with anybody. I wasn't going to have somebody else do it because I pride myself on a certain amount of things and I'd rather do it myself. That makes it hard. And then you learn the value of the rewrite and all that stuff. So, with the help of an excellent editor at Henry Holt - my publishing company - I was eventually able to get it done. But, did I feel, at some points, I’d feel quite daunted by how long the bloody alphabet was. 'Will we ever get to Zed?' But eventually we did. But it was it was hard work.

A1 Studio Peter J G GMIn the Studio with John Lennon, George Harrison, Peter, and George Martin - Photo Courtesy of Apple Records“But now I'm pleased. I'm happy I did it. But I did have some moments where I just kind of went, 'Maybe this was just meant to be a radio show. And maybe this book idea is not a good one.' But then then I’d read as far I'd gotten and go, 'You know, maybe it's okay. Maybe people will be entertained, interested, or even conceivably enlightened or at least, you know, learn something about music that hadn't thought of on their own.”

I had to ask Peter if there was, from his unique vantage point, THE Beatles song of songs.

“To tell you the truth, I'm avoiding that question. I get asked so many times, 'What's your favorite Beatle song? What's your Beatles top five, top ten?' And, you know, it changes day to day. I honestly choose, if I may, politely, to say, no, I'm not going to say this is the best Beatles song ever. I know people like that kind of thing. They love lists and Top Tens and all that. But I'm kind of politely avoiding that because it's impossible. And it would literally change day to day. Or, I’d choose one now and then listen to the radio and hear a different one and then go, 'Well, you know that should be it.' You know, I don't know. I think it's important to remain flexible and I'm truly not sure.”

What is the biggest misconception of the Beatles?

“Wow. The biggest misconception. I don't know. I mean, I have to think about that at some length. I suppose. You know. I think because it ended in some arguments and anger, perhaps people give undue weight to that part of the story and forget how incredibly well they got on for so many years. They were an incredibly well blended band. It was the perfect storm both musically and personality wise and everything. They fit together so extraordinarily well when I did have an opportunity to watch them work together in the studio or on a project or whatever. I think the misconception is that there was, like all bands, that they did end with some arguing and some anger. But I think one forgets the extent to which they were genuinely cohesive, coherent and a creative whole for a long time. And that's how they created this body of work that is unequaled in the history of rock and roll.”

Peter has worked with lots of household names in some form or fashion over the years. Who would he like to work with that he hasn’t, yet?

“Actually, there's lots of people. I mean, there's so many great singers out there now in current pop music. The funny part is everyone thought the minute they put in technology that it enables you to do stuff on records that you couldn't necessarily do live or fix vocals in ways they couldn't previously be fixed. There was a feeling that it would lead to less great singers. But in fact, any of the current crop of singers like Ariana Grande.

“It's extraordinary how many good singers there are - and good songwriters! I'm a big Brandy Clark fan. I'd like to work with her one day. And Brandi Carlile, too, actually. People forget about her. But I think Brandi Clarke is spectacularly good. And, as I was saying, there's a lot of great singers. You know, Ed Sheeran obviously is not brand new anymore. But I mean, he's a singer/songwriter entirely up to the standards of the previous singer/songwriter era, in my view. I did actually get to do a track with Ed and became a huge fan as well as friends. So now there are lots of people. In fact, this guy, Lewis Capaldi, he's out now. He's spectacularly good. There's a lot of people, many of whom I would I would love to work with. I find new singers and new songwriters as exciting as I ever did.”

Does Asher stay in touch with his old clients?

“Oh, very much so. Both James Taylor and Linda Ronstadt, for example, are dear friends who I stay in contact with. Absolutely! Those are the people I worked with most extensively as a manager.”

I asked Peter if he were made music czar and given complete control of the music industry and was tasked with fixing the G PG in GermanyGordon and Peter in Germanymusic business, first of all, does he think the business broken and, if so, what would he do to fix it. His answer surprised me both by its forthrightness and its laissez-faire tone.

“I don't think there's any such thing. I mean, you can't fix a business other than by the free market. I don't mean to be an economic seminar. I realize it's an entirely hypothetical question but a political one. If this 'Music Business Czar' tried to impose order on the music business, you'd be doomed. You know? Every time that the industry has reacted to new technology or new music. I tried to do that. 'We can fix this. Let's pass some rules; some laws.' It's always been a complete disaster.

“So, ultimately, the free market will fix the music business. No, the music business is not broken. The record business was kind of broken there for a bit. The music business is flourishing. Music is more important to people's lives than it's ever been. The live concert business is flourishing. Concerts themselves is just so much plain ol’ better than they used to be because of the new sound, sonic technology. And, then, touring technology has changed so much that live shows are terrific now and sound good and look good and fun to go to and safe to go to and all kinds of stuff that didn't necessarily used to be.

“So, the music business is fine. The record business went through a period when it did look like it kind of sunk because everyone was finding ways to get music without paying anything at all for it or, at the most, a little. And now, finally, as you as you've seen, streaming is turning into a viable industry and people are making a living out of it.

“So, if I was Music Czar, the first thing I do is fire myself and say, 'No, we don't need a music czar. We need to allow the fans and the technology and the free markets to just shake itself out and find a way that people can make a living in music. And it's not the huge living that it used to be. You know, it probably isn't.

Q Peter with Buddy Holly guitar“I mean, my friend, Bob Lefsetz, has pointed out that the new rock stars are the tech guys, not the actual rock stars. If you want to make billions, have private jets and yachts and things, you're much better off inventing some app or a new social media format or something than you are writing songs and playing electric guitar. So, you know, it's changed. Being a rock star is no longer the ultimate rock star profession. It's harder to make a living doing that than it is, you know, being a techie guy. The nerds are getting younger and younger.

“That's a roundabout answer, I know. But I think the music business is fine. And if you don't make the same number of millions that you used to make in the old days, then so be it. But that's not the end of the world, either, because that means that people get into music because they love it, not because they want to be rich.”

As for what’s on Asher’s itinerary after he’s done promoting The Beatles A to Zed, he shared:

“Well, I've got some gigs lined up. I do this memoir show with a bunch video and audio and stuff. I've got some of those booked including a cruise I occasionally host - these rock and roll cruises. I'm doing one early next year, a 60s cruise that is really fun. I've done those several times before in the Caribbean. I have a great time doing that; a whole bunch of gigs. I'll be working on a couple of movie projects with Ann Timmer, who I work with a lot on film stuff. Gosh! What else? I'm trying to think there's a whole bunch of stuff I'm doing. But, to say 'immediately', we're trying to get this book off the ground. And obviously they're hoping to keep selling books through Christmas and all that. It makes an ideal Christmas present!”

Wrapping up our chat, I closed our conversation by asking how Peter hopes to be remembered and what he hopes his legacy will be.

“I really don't give much thought to that, to be honest. I don't particularly mind, you know. I won't be around by the very definition of your question. It's strange, I suppose. Maybe one is supposed to worry about one's legacy. But other than leaving my family well and my wife and daughter and all of that, I don't really have any post-death ambitions, nor do I have any belief that there is any such thing as post-death. So, as far as I'm concerned, you're dead and it's all over and that's it. As a staunch atheist, I find myself minding not very much about after I'm dead. It's odd, in a way. Why do people worry about that? Why do people worry about the size of the statues built about them, the books written about them or the stories told about them? I don't think I really do. I think whatever happens is okay with me.”

Deana Martin Says, "Baby It's Cold Outside!"

Posted November 2019

DeanaMartinCroppedBaby boomers certainly remember the great days when quality TV programming was available. Some of my earliest childhood memories was watching the Dean Martin Show and the Dean Martin Celebrity Roasts on TV with my parents. They were absolutely hysterical and entertaining.

For as far back as I can remember, one of the songs I heard countless times every Christmas season was Dean Martin’s 1959 classic, “Baby It’s Cold Outside”. I never gave it much thought past the fact that it was a great Christmas classic.

Times have changed and ‘tis the season of Christmas decorations, lists, sales, and songs. Last year, the Dean Martin classic (written by Frank Loesser in 1944) became the focus of controversy because of what is known as the “Me, Too Movement”.

According to Wikipedia, Frank wrote the song to be sung with his wife as a signal to holiday dinner guests that it was time to go home. It was first recorded by Ricardo Montalban and Esther Williams for the movie, Neptune’s Daughter. Afterwards, it was recorded Betty Garrett and Red Skelton, Pearl Bailey and Hot Lips Page, Ella Fitzgerald and Louis Jordan, Dinah Shore and Buddy Clark, and Sammy Davis, Jr. and Carmen McCrae before Dean Martin recorded his now-famous version.

In more recent years, Colbie Caillat and Gavin DeGraw, Rufus Wainwright and Sharon Van Etten, Cee Lo Green and Christina Aguilera, Kelly Clarkson and Ronnie Dunn, and Lady Gaga and Joseph Gordon-Levitt have recorded covers of the song.

Then, suddenly, the song was felt to be radioactive by many due to a perception by some that the lyrics portrayed a seduction. The controversy gained moment with the Me-Too Movement and the news that a Canadian radio station banned it from airplay for a period of time.

Last year, Dean Martin’s daughter, Deana, voiced her perplexity at the sudden “concern” about the lyrics of the song. DEAN DEANA Christmas came and went, and all thought the storm over the song had permanently blown over.

Then it was recently announced that John Legend and Kelly Clarkson have re-recorded the Christmas classic in with politically correct/Me Too sensitive lyrics. Ms. Martin has, again, spoken up regarding her dismay about the past and new controversies over her dad’s hit.

Deana called me from her Beverly Hills home to discuss the hullaballoo as well as projects she’s working on.

Making small talk, we discussed our dad’s. We quickly learned that our dad’s share the same birthday. So, yeah, both of our dads are great, and Deana even wished my dad a happy belated birthday. The smile now permanently on my dad’s face is genuine and permanent.

But I digress.

We shifted the focus of our chat from our dads to “Baby It’s Cold Outside” and Deana’s thoughts about it.

“Well, the whole thing is so funny because I thought we were over all of this last when it was banned from, I think, a Cleveland radio station. I saw that on my iPhone or something. So, I tweeted, 'I think this is insane. You know, what do you think? This is crazy.' And all of a sudden, it went viral. I mean, it was just, you know? Nuts. People were calling me to do TV shows and radio shows all over. I just I could not understand. It was just so bizarre to me that they're going to pull that song.

“And after I tweeted it and started doing all those radio shows, the song was put back onto all the radio shows and it went to number one. I had two hundred thousand texts and tweets and emails - positive ones. Nothing negative, which is really good. You know, it's like, ‘You go, girl!’

Deana Martin 2“That was last year. And then, all of a sudden, I find out that John Legend has re-written the words, he changed the lyrics. I adore him. I think he's a fantastic entertainer and musician. And, Kelly Clarkson, she's spectacular. What a voice and what a personality she has! But I thought, you know, it's gone way too far with the P.C. police,

“I'm all for the Me-Too Movement. But I think that we've all gone insane. And when I think why on earth would he want to change the lyrics to a classic from 1944 – a Frank Loesser song? It won the Academy Award. That's what I'm telling you. But I think what he did with changing the lyrics, he made it sexual when he said, ‘It's your body, it's your choice’. I'm thinking, ‘Wait a minute.’

“To me it was just preposterous that he would even do that. And I understand that it was written 60 years ago and there's different sensibilities now. But it still irks me that he's changed the lyrics for just a fantastic, evergreen, classic holiday song. But I do understand what he wants and what he's trying to do. And he's a he's a good guy. But, you know, when I think, ‘Why is he changing the lyrics to that fabulous song?’ It was perfect the way it is. He's a good writer. He could write his own song. He could do some Christmas song. So, that's how I feel.

“People have asked me about what would my dad think. My dad was so cool and laid back. He wouldn't have thought Deana Martinanything about this. He was, ‘Okay, whatever you want to do is fine.’ He was over all of that. He wouldn't have said anything about it.

“I was asked a question today that I hadn't even talked to my grandsons yet to see what they what they thought, you know? They're 21 and 16. And so, it would be interesting because, last year we all talked about that. But now this is a whole new spin on an old, old story. I would like to hear what they have to say.

“I have not heard anything negative on my side, which is great, because it's a timeless classic. My dad did it and so many people have sung this song. I'm going to be singing it tomorrow night. I'm doing a big event at the Italian Museum in New Orleans tomorrow and I'll be singing, ‘Baby, It's Cold Outside. Then, I'll be singing it in Las Vegas. I have my holiday show December 8th, my Christmas show. So, I’ll continue to do it. Now, whenever I sing the song, I get a standing ovation and people are just cheering everywhere because they want to hear the original one just the way it was written by Frank Loesser.”

Talking about her shows teed up the perfect segue question: What’s on her radar for the next year or so?

“Well, we have so much on the radar. In fact, I believe we're going to be doing a Broadway play called, ‘Sunny Side of the Street’. It's about Jimmy McHugh and Dorothy Fields. They wrote all those fantastic songs like 'I Can't Give You Anything But Love, Baby’ Hundreds of songs. I'll be Dorothy Fields and that'll be on Broadway. It's next year. I also I travel all over doing Deana Martin's Celebrity Roasts. The last roast we did was with Joe Mantegna. A lot of his crew and cast from Criminal Minds came on. I had Joe Piscopo and Tommy Dreesen. We roasted him and it was spectacular. It's something that we are doing in different venues. It can be for corporate dates. It doesn't have to be a movie star. It could be a football player or whatever. It could be the CEO of some company and you know that there are some people who want to roast him. I'll bring my comedians. It's a fantastic event. It's spectacular for me to be able to do that and keep that alive. Carrying on the Dean Martin Celebrity Roast is something that's fabulous - with the Deana Martin Celebrity Roast.

“I have about five songs that we are putting on the new album. One that L. Russell Brown just wrote for me called, “Mr. Moon”. L. Russell Brown wrote, ‘Tie Yellow Ribbon Round the Old Oak Tree’, and ‘Knock Three Times on the Ceiling’. I mean, he's a fantastic writer, right? He came to some of my shows and I’ve recorded some of his songs. He's just written this new one, ‘Mr. Moon’, which is fantastic.

“We're just so busy traveling, traveling around, doing shows. And as I say, I'm doing this tomorrow night and, then, I'll be in Las Vegas on December 8th for two shows. There's so many I can't even think it's on my web site if you want to go on. I don't post the corporate dates. But on my other shows. We're going on tour in Australia, February - I think the first week in February. I'll be doing eight to 10 shows there. I did it last year. I tell you, the audience in Australia is hysterical. They're fantastic. And, in fact, later today, I'm going to be doing The Australian Today Show. And so, I'll be talking to them, which is fantastic. So, it's just a lot of a lot of work. And I enjoy what I do. It's the packing and unpacking that's kind of tough.”

Will the Deana Martin’s Celebrity Roasts be available on DVD for fans to buy?

“We will be (offering them). We will be doing that. It was difficult for the Joe Mantegna roast because you have so many actors and people who work on the show. We have to get a lot of releases and everything. So, this was this was the second one that we had done. It was just spectacular. People who could not be there sent in videos that were hysterical and people. I'm trying to think of his name, but he sent one in. He did a great video, but he said the name wrong. He thought it was for Joe Montana and started talking about football. It was really good. He planned it all that way. I got a letter from Andy Garcia that I read, and it was hysterical.

“So, it's something that we will be doing a lot more of and people are dying to dying to do it. It's just fun to be able to bring that back. And, you know, when I think of Foster Brooks. Good heavens! Where he played 'Are you a pilot?' when he was in the bar. I mean, just all of the people who were on his show and they're friends. I had Rich Little who came on and he roasted Joe. And, as I said, Tommy Driessen and all the people who are just spectacular!”

You can keep up with Deana year ‘round at her website, Do catch one of her shows if you get a chance. And, if you do, tell her that Boomerocity sent you.

Bob Gruen Talks On Green Day

Posted November 2019

BobGruen CropbyLindaRowePhoto by Linda RoweAs teens, baby boomers very likely have seen the work of legendary rock photographer, Bob Gruen. Boomerocity readers know that we’ve interviewed him twice before. In fact, we’re very proud to say that Yoko Ono posted our first interview with Bob in its entirety on her website (archived here). We’re equally proud of our second interview with Bob (here), though it didn’t make it to

If you’ve read our past two chats with Gruen, you know that he doesn’t sit still. Always capturing our culture in images that interests us, he has done so, again, with his latest book of photos entitled, “Green Day – Photographs by Bob Gruen”.

Gruen has been a friend of the guys in Green Day for over twenty-five years. During that time, he has shot and amassed quite a treasure trove of images. Thus, the book. I called Bob up at his New York City gallery to talk about the book. But, first, I asked how the book we previously visited about, See Hear Yoko, did, and how Yoko is doing these days.

“Well, people who got it loved it. It was really well made, and it got a lot of great response. It wasn't a huge seller, but I wasn't expecting it to be, But it was very well received, which was what we wanted.”

And how is Yoko doing?

“She's pretty good. She's still busy. She has to get out as much as she used to. She's eighty-six now. She developed a problem with her knees by walking around so she doesn't get out as much, but she's still involved with millions - or dozens of projects, anyway.”

Gruen’s reputation is that he has always liked fast, loud punk bands – especially his friends, The Class. So, it is no surprise that he became a Green Day fan early on. That said, I wanted to hear directly from Bob what drew him personally to Green Day and what is it about them that allows them to connect with so many people around the world.

“Well, I think for me, rock and roll is about freedom. Rock n roll is the freedom to express your feelings very loudly in public. I think that's what The Clash certainly were doing, and I think that's what Green Day's doing. They're also big fans of The Clash. I think they're inspired a lot by them, as were so many bands.

“What I like about Green Day is they're like The Clash. Most of the bands that I personally like, they're saying something, meaning that they're saying something important. And they're not just talking about being lonely or they can't get a girlfriend, or they broke up with their girlfriend. Those are true sentiments, but they're not what I call social politics.

“Green Day is talking to social politics with songs like Minority and just so many of their songs, they're reaching typically alienated, lonely people who need, who want something to believe in. And not to believe in the band, but to believe in themselves. I think that the band inspires people to believe in themselves. I think that's the overall take away from them and the fact that they're just an awful lot of fun.

“They make great records. But they're also a really fantastic live band. They hit the stage running and they stay running for two and a half to three hours. And they just keep the audience's attention.”

Why this book and why now?

“Well, it's interesting, my relationship with Green Day, because I never worked for them and I was never even on assignment C 165 GreenDay 2009 Gruen72Photo by Bob Gruenfor a magazine for them. I met them as friends when I went with my friend, Jesse Malin's band, Degeneration, opened for Green Day. We had seen Green Day once or twice in New York, then - I saw them first in 94 at a party at Don Hill's club. Then, a little later, they had a party at Don Hill's club when their, I think, Dookie record came out. Then, Jesse was going to Europe to open for them and he suggested we come along. I had had a few drinks and I thought it was a good idea. Ha! Ha!

“Next thing I knew, me and my wife were in England and we saw Degen and Green Day three times in England. Then we went to Paris and saw the show there. After a week or so, I was a fan. I thought they were fantastic. I think that's when we first got to know each other. They're fun guys to hang out with. It turned out we had a similar cynical kind of sense of humor. And they were thrilled. They grew up looking at my pictures and they were thrilled that I was interested in taking pictures of them.

“I found them great practice because I don't work a lot nowadays. One of the reasons is it's so difficult to get any kind of access with a band and, when you do, you rarely get to own the photos and get to license them or make any money off them. But, with Green Day, I had complete access and they never asked me for any photos. It almost was a little disappointing. ‘Why don't you want to use my photos?’ Ha! Ha! But I also rarely even showed them to them. It wasn't that kind of relationship. They just like having me around, taking pictures, you know. Sometimes it was one picture in particular, the picture that's on the book cover that I knew that they were in the same building where I took the picture. I took a picture like that of The Clash on top of the roof where you can see the whole skyline of New York. It's in the RCA building where there’s a lot of TV studios and Green Day was there. I mentioned to them that it's the same building I took the picture of The Clash. ‘You could come up on the roof and we take another picture of them like that.

“They immediately wanted to do it, but it was a little difficult because they were in the building for Saturday Night Live, which is a live show. They (SNL) get very paranoid. They start rehearsing on Tuesday and by Saturday afternoon, you have to show up and they don't let anybody out of the studio all day because they don't want to be missing when they go live. It took a lot just to get permission to stay in the building and just go up on the roof for 20 minutes or so. But they did it. And that's all I did that day. And then I made up some prints.

“Later, Tre' was saying to me that they hired another guy who traveled with them for like two months. He was a fashion photographer who were taking a load of pictures with the idea of making a book that he never made because he took too many pictures and couldn't edit it down or something. I don't know. Maybe he took too many and didn't get any good ones.

GreenDay309 2009 0044 Gruen72“But Tre' said that I just show up. I'm there for 20 minutes and I get the money shot and I don't bother them. That's how I worked with them the whole time. Like, as they say, they never hired me and never had an assignment. I just went because it was fun. And after 25 years, it seemed like, ‘What am I going to do with all of these pictures? There's so many great pictures.’ So, we decided to make a book.

“Fortunately, the company that I work with, Abrams Image, liked the idea. And so, we made a really nice book. The art director, Shawn Dahl came up with some great ideas to make the book more interesting instead of just square photos. (He said), ‘We should change the shapes on all the different pages.’ Billy actually came up with the idea of having Avi Spivak do little drawings all over the book and that made it very ‘Green Day’. It makes it very kid like. And then Billy Joe sent it forward that he wrote, which is three pages handwritten on like school paper, like, lined the paper up. And it just looks so Green Day. We printed it as he wrote it. We didn't type it up. We just photographed the pages and put them in. It's really a fun book. Tre' and Mike also added comments - and Billy - throughout the book. It's really fun. I mean, any fans would surely like it. We tried to make and simple. Nothing formal, that's for sure.

As for what the band – and the band – thinks about the book, Bob said:

“The band likes it very much. I mean, the reaction I got back from them, they thought it was great. They're really happy that I GreenDay904 2004 0081 Gruen72Photo by Bob Gruenmade it. And as far as sales, within a month, it went into second printing already. So, that's a good reaction.

Gruen has photographed some of the biggest names in rock and roll. So, I was just curious as for photographing Green Day, was that any different than any of the other bands or acts that he has photographed over the years.

“Well, that wasn't different in the sense of bands like The Clash or other bands that I had total access to, where I was just hanging out with the band and took pictures when they look good. We didn't really ever have a session. I think once, when they were in New York and they were staying on Mercer Street, and they had scheduled to go somewhere. Before they left, we planned to do a half an hour out on the street. I think that was the most scheduled we ever did was just to walk up and down Mercer Street for 20 minutes before they left. But other than that, it was just the idea that I had access to them; that they always look good. As far as photographing them, they move fast, so that made me work, which is what I was looking to do. I mean, I was trying to get some photo exercise there. So, it worked out pretty well on that level. Ha! Ha!

Just as I did during our “See Hear Yoko” interview, I asked what he thinks is the biggest misperception about Green Day or the band members individually.

“I don't know because I don't get to see so much criticism about them. For Yoko, there is often a lot of criticism that people come up with. But with Green Day, I don't know. I mean, one thing that I thought was kind of funny is that people attacked them for having punk roots and then ending up playing stadiums. I remember one night, Billy Joe was kind of upset that somebody in a book called them sellouts because they played such big places. Billy Joe said, 'Is it my fault that we're really good? I mean, should we play in a club for 60 people when 60 thousand wanna come? Do we have to keep fifty-nine thousand people out in the street? Why shouldn't we let them in if they want to come in?'

“So, I think, you know, for me, they've really kept their punk roots. I mean certainly their attitude, their humor. They use common language, the same language that their fans use. But sometimes, like Wal-Mart: Wal-Mart sells about two thirds of the records that are sold in the United States. More than half of the records are bought at Wal-Mart stores, as far as music. But they have strict rules and they don't - so many bands make a G rated album. And there's like an explicit lyrics and a G rated lyrics (version of an album). The G Rated lyrics, they can sell in Wal-Mart because Wal-Mart doesn't like explicit language.

BobGruen MoMA 12 2009 DSC 1523 LindaRowe72wmPhoto by Linda Rowe“And Billy Joe, when he was asked about why they wouldn't change their album, make a second version for Wal-Mart, he said, 'Well, Wal-Mart thinks that some of our lyrics are dangerous. Why don't they just put him on the other side of the store and sell them with the guns and knives and other dangerous things they carry?' That's the kind of, you know, common sense humor that I like. Yeah. And that's why I like Green Day.”

With the Green Day book in stores and online now, I asked Bob what is on his radar for the next year or so.

“Well, right now, I'm working on a biography. I'm hoping to finish that in the next couple months and have that out next year. I've been organizing my archive. I want to have some more traveling exhibits going around because I'm just a lot of pictures here. I'd rather get them on walls out there in the world so people can see them. So, I’m working on exhibit projects and similar projects.”

Until Bob Gruen comes to your next of the woods, you can order his Green Day book by clicking on the widget on this page as well as order some of his other books by clicking on the select items, below. You can also keep track of Bob’s latest activities and offerings by visiting

Angela Bowie - Backstage, Lipstick, & All

November 2019

Angela Bowie 001 CroppedBaby boomers everywhere remember when a strange artist hit American airwaves with some captivatingly strange tunes. Songs like “Space Oddity”, “Ziggy Stardust”, “Suffragette City”, “Changes”, “Rebel Rebel”, “1984” and a whole slew of otherworldly songs.

Of course, I’m talking about David Bowie. And, if you were an awe-struck teen like I was then, you’d know that he and his then-wife, Angela, were taking the media world by a storm with their application of non-comformity in every area of their lives. Their lack of convention and their thumbing of their noses at societal norms captivated us all.

Married in early 1970, Angela and David’s marriage ended with the decade of the seventies. So then, Angie has been a prolific author, actress, and recording artist. One of the books she’s written is her 1993 book, Backstage Passes. I had recently re-read the tome and instinctively reached out to her for an interview.

It turned out to be quite serendipitous because she is in the midst of re-recording the audio version of the book as well as re-releasing the print version of it as well as other of her work.

Over the course of two phone conversations and notes back and forth, Angie and I chatted about what she’s been up to and what is about to be released. Reaching her at her home in the Southwestern U.S., she was immediately gracious and warmly welcoming.

We started out about comparing notes about living in the Knoxville, Tennessee, area, Atlanta traffic, and the arid southwest. Commenting about her time in the suburban-Atlanta burg of Acworth, she said:

“It was lovely. We had a great time there. I lived in Acworth very comfortably without going into Atlanta, except maybe once or twice a year because I really have no time for that (heavy traffic). No, I'm not interested in dying in a traffic jam or a traffic crash. I have to be convenient and Acworth was convenient. It was wonderful. Everything was there within - at the furthest - six or seven miles. More like three miles in perimeter. You know what I mean? So, I had a good time. We stayed at that house for two years. It was so comfortable and so convenient.”

I told her that I had experienced Atlanta gridlock for the Rolling Stones’ 2015 show there. She commented:

“So, while I like the Rolling Stones, I'm happy to watch them on TV and listen to them on radio or record. I have no desire to Angela David Bowie 001be part of the claustrophobia of going to a live concert. I wouldn't even consider it. I've never seen the Stones ever. Never. I have no interest whatsoever. I can see them perfectly well on television or in a movie. I really don't need to go and, you know, be hot and start to feel faint. F*** that.

Shifting our attention to her time in the Knoxville area and why I wanted to chat with her, Angela shared:

“I have to say to you, Randy, that your providence is enticing. We had the most wonderful time in Tennessee. Michael (Angela’s current husband) and I - we lived there for a year. And just outside of - we lived in a fabulous place, Tellico Village, which was 30 miles from the job site. The job site was in Alcoa.

“We found the people to be so charming and so wonderful. We had an absolutely magical year there. And, so, when I saw it on Facebook all the different things that you did. I wasn't surprised when it turned out that you had a blog. You know what I mean? You asked me to do it because - I don't often care sometimes for particular locations, but it has nothing to do with the people.”

During our second chat, Bowie added: “I don't have so much experience, you know, with the United States because I lived outside of the United States for so long. It's taken me 20 - 25 years living with Michael, to get a grip on all the various different parts and the relevance of those parts where we've lived as part of his job. And so, yeah, but when you mentioned that, I thought, yeah. Knoxville is such a lovely place. We really had a good time there.”

“You know, Acworth was perfect. It was so convenient. It was amazing. It really was. Tennessee was an absolute - it was gorgeous. The people were lovely. You know, we had a great time there. And, so, I just I took it as written that we would do this and that it would be fabulous. And I so appreciate you asking me. There it is: synchronicity, and it's very cool.”

Shifting the subject to her 1993 book, Backstage Passes, Angie said:

“I'm delighted to talk to you about Backstage Passes, because there's all kinds of great news about it. It's a been out of print for a while. And as of the last couple of weeks, we've done a deal with some guys in England who are going to do the e-book. Then, we'll be putting out the print version. I've already in the middle of doing the audio book. So, this will all tie-up and I would think that Backstage Passes in three or four different formats - E-book, audio book and print version of the book will be available by the end of October. I'm very excited about that!

Angela Bowie 002 by Federico Mastrianni Photo by Federico Mastrianni “It's been out of print since I did Celebrity Big Brother as they sold out. And that was a reissue. It's done extremely well. And that was a reissue. And they sold every book they had, and I thought, well, you know, maybe it would be a good idea to hold back and not let them pick up that again. Now I've got the rights returned to me and now we're anxious to make a bigger splash with it. 2016 was when they sold out of those and in January and now it'll be coming up to 2020 when we're able to put the book out again.

“Because of Celebrity Big Brother, because of the surname. It's not like they can't place me. They know who I am and they either like me or they don't. If they don't like me, they're not going to read the article anyway.

“Every year was filled with all the things that I did in those first eight, nine years, and we were able to produce and delivered eleven albums in those eight years. Eleven!

“It was breathtaking how hard everybody worked. You know, we had a costume factory at Haddon Hall with Freddie Burretti and the people that he got into work with him.

“There was a rehearsal room downstairs. They would rehearse. They would go off to the west end and go into the studio. Then they would go out on tour. It was extraordinarily busy and interesting.”

With Backstage Passes having been out 26 years now - and the passing of David Bowie almost four years ago - I asked if there have been any repercussions or change of view towards her in recent years.

“Oh, I don't really pay much attention to it. I haven't really. I've been too busy writing other books. I'm not the slightest bit interested, but it is a useful revenue stream for one's retirement. So, you take it seriously. I had to start thinking about the fact that it is wanted by an audience and when an audience want something then - if you're a marketer, and a promoter, and a writer like I am, then you have to pay attention, you know what I mean?

“You know, I recently had an offer from someone in England for the e-book of it. That enables us to put out the print version. I'm also doing the audio version, so. There it is, in three formats, Backstage Passes will be alive and well by the end of November. So, this is a good thing.

I asked Angie if there was anything, she wished she had done differently in the book.

“No. That's how I am.”

Anyone who has ever experienced a divorce knows that there is more than a marriage that is divided. There are outside relationships that are affected, as well. During our second call, I asked Ms. Bowie if she had lost any friends as a result of her divorce from David.

“To be honest with you, Randy, I haven't even thought about it. The people that David and I were friendly with were basically in England or New York or Los Angeles. And I don't really have much interest in those kinds of large cities. I didn't really even notice it, to be honest.

“I knew that when we got divorced, I was quite young. I was, I think, 29 or 30. And I really didn't expect much more because I Angela Bowie 002 by Sergio KardenasPhoto by Sergio Kardenasknew that people would get a line out to prove their solidarity today. That happened a lot. People did that a lot. I really didn't care. You know, I expected it. So, I guess I buttoned it up and refused to even think about it.

“It is another system of the protocol of divorce. If they don't line up with the other partner, they don't feel like they joined in the divorce proceeding. I just I wasn't going to get involved because I thought to myself, 'Would you really care about losing a friend who is so fair weather that they're going to side with David . . . who wants friends like that?’ I think it's the nature of human beings. I think that if they got the opportunity of being judgmental, then, oh, good! Let's get judgmental! Let's rave on about whose fault it must've been!' - whether they know or not, they just listen to a bunch of propaganda and go for it.”

In conclusion, Angela said, “Like I said, I didn't pay too much attention to it because I thought - I suspected that it would occur, and I really thought that's not worth wasting time on. It had to be a normal repercussion of divorce.”

In Backstage Passes, Bowie shared an incredible story about a paranormal experience at a home she and David were renting. You’ll have to read the book for the details of it. I asked her if she experienced anything like that since.

“No, I think I've experienced some stuff like that before that. As a young schoolgirl in Switzerland, from 9 to 16, there were some extraordinary events that occurred. No, no, I never experienced anything since then, but I had experienced a few things like that before.”

She continued, “I try not to be too concerned if I can't fathom stuff. My mother was sort of instrumental in that. She would say, ‘Well, reserve judgement.’ I would keep saying that. I'd think, 'OK, I'll reserve judgment.' And she was very instinctive and intuitive about people and I was also.

“So sometimes - she just - there was certain people she would not deal with. She would not go to functions where they were going to attend or anything like that. And she said that, you know, it's better to stay away. That was why - even though it was bizarre and ‘out there’, I thought, ‘Well, what are you doing within yourself that you are bringing this kind of strangeness into our lives?’ And I really just kind of let it go at that.”

Then, with a bit of humor, she concluded: “You know, I kept thinking to myself, 'Well, this is a good omen for me to get the f*** out.' You know, I really had no interest in standing around and watching all that kind of weirdness. I was like, 'Oooo! F*** this! I'm out of here.'”

We then shifted our conversation to Angela’s other, more current pursuits.

Angela Bowie 004“Well, I decided that I was going to do audio versions of some of the books that I have written recently. So, Lipstick Legends has become an audio book. We're doing another audio version of Backstage Passes. There was one done years ago at the same time in the early 90s when Backstage Passes came out. But we're doing an audio - another one - because the company that had the rights to doing the Backstage Passes audio book has gone out of business and so there are no further copies available. So, we decided that we would go ahead and rerecord that.

“I'm also doing an audio book of Pop Sex because it's one of my most favorite books that I've written. And it's a really romping tale through history of just how church and state have dominated the sexual lives of their citizens and how that became a power tool and a power lever in and of itself.

“In the meantime, we have some new stuff coming out. I'm very excited, Michael and I've been thrilled to be involved in this. Rick Hunt worked with us on Catastrophe. And my book of lyrics and poetry, Fancy Footwork. And we had always said that we wanted to do a book of his art.

“Gaucho Visions is the first of four or five projected books of his art. And it's turned out magnificently. He's very, very happy. So, on the 5th of October, we will be launching Gaucho Visions. And, then, before Christmas - it's Gaucho Visions Part One and Gaucho Visions Part Two will come out, hopefully, before Christmas. There's no hopefully about it. It will come out before Christmas. And, then, I've been working on so many other things. I mean, literally there is a list that's about two pages long and so I'm working on all of that as well.

As if that’s not enough to keep her busy, she added:

“I've got Take Out Your Troubles, which is a song that Chico (Rey) and I recorded about five years ago. I was in Los Angeles about a month ago and I went to see my pal, Larry Treadwell, and I said to him that we were going to take Take Out Your Troubles and do a remake, a remix. Well, a remix, a final mix which we had never actually done and mastered the tune because I wanted to have a track contribute to the GoFundMe for Chico Rey's medical expenses.

“Larry unbelievably managed to pull it out in 10 days, and he took care of it all. When I got to L.A., he had the track for me, Angela Bowie 005and it sounds incredible. So, we'll also have some new music. And I've got a new album which is recorded already, but I'm going to do the same thing with that - is to do the final mixes and the mastering. And that will come out in 2020. It is called, Sterling Moon Lynx, which is a name that was bestowed upon me by Rick and Carolyn Hunt - an Indian name, an Avanaki name. I decided that that was it was so impressive that I would just use it as the title for the album.”

As I often do when I’ve chatted with an icon from my youth, I reflect on their life, their contributions, and the experience I’ve had during my conversation with them. It was no different after my visits with Angela Bowie. We often think that they live on a different plain that us mere mortals. Yet, they, too, are mere mortals who know that life is short and that, like us, are responsible for making the most of it. Angie is certainly still doing that.

I encourage you to keep up with Angela and her latest work by visiting You can order her books by ordering through her website or by clicking on the ads on this page.


Steve Lukather Talks New Tour, Ringo, and . . . the End of Toto?

Posted October 2019

stevelukatherPRIMARY2019 cropAnyone who has read Boomerocity or any of the publications who have ran abridged versions of our interviews know that Toto’s Steve Lukather is one of our favorite guys to hang and/or chat with. We’ve interviewed him five times and have met him in person three times.

When you chat with him, he’s a blowtorch of unvarnished truth and can string words together in a way that will have your sides hurting from laughing almost non-stop. Whenever we get a chance to chat with him, we jump at the chance. One such chance arose with the band’s release of their CD/DVD, Forty Trips Around the Sun – a video chronicle of Toto’s 40th anniversary tour a couple of years ago. I also want to talk with him about Toto’s current tour that stops at Nashville’s Ryman Auditorium on October 8th.

Reached at his home in Southern California, Luke and I chatted with some catch-up talk wherein he shared about the rigors of life on the road. He was humorous and philosophical about it.

"Well, I'm hanging out in my office. I was just about to grab the guitar to start practicing. Then, I went, 'Oh, I gotta interview!' And, then, you rang the phone. I was chasing my puppy out, torturing my old dog, just doing normal human shit like everybody else. As soon as I dump my kids - I got a little kid now, too. I have my grown kids. I have my little kids, too. So, I dumped them off at school. And then I come home, and I got the place to myself for a while. That's what I do, man.

"I'm a creature of habit. I go to bed early. I get up early. I really enjoy my life as an elder gentleman, now, you know. I had my time in the sun, you know. I had the lost years where I was, like, 'Oh, Jesus! What was I thinking?' But you come out of the fog on the other end and go, 'Well, okay. I guess they needed to do that.' I don't know why, but I, you know, poor decisions. Yes, I've made a few.”

Luke then segued into the subjects of women and loneliness.

"I'm gotta say that I had great times with all the women I've ever been with in my life, and I still enjoy the company of a great woman, believe me. I'm not dead. But, you know, relationships scare me at this point. I don't mind being alone. I'm alone so much anyway, on the road. I've gotten used to sleeping alone. I've gotten use to looking after myself. Sure, there's the loneliness of it. It's a give and take situation being that, you don't have anybody nagging at you, either. Ha! Ha!

“But, you know, hey, whatever. You know? I chose this life and a lot of people don't realize that it is an incredibly lonely life. People think, 'How could you be lonely, man, playing in front of f***ing tens of thousands of people every night and whatever?' It's very easy, actually, when you go from the highest highs to the lowest lows in the period of an hour. Very strange to go from the stage - that's the rush. That's what we all live for. We don't get paid for that. That's the fun part. We get paid for the other 20 hours of the day that we sit in a room. Yeah. I mean, I've been to all these cities and countries, you know, for three or four years or whatever the hell it is. So, you know, I've been to the Eiffel Tower. I've seen Washington, D.C. I just kind of keep to myself. It's a weird. When I was young, I was out and about in the clubs and going, 'Where are we, man?' Look, after doing it for most of my human life, I just kind of hang in the room. Read. Try to find myself before the dirt nap hits.”

When we last spoke, Lukather had just released his autobiography, The Gospel According to Luke. I asked him how the book did and is doing.

"Yeah, man! That thing has had a life of its own. I had no idea! The most random people tell me they've read the book or they're reading the book. I get a message from somebody. It's still going, man. They're after me to do number a two, now - Continue the story. Talk a lot more about my session life and certain records that I did in more detail. I got a million stories, Bro. I mean, I had 400 pages hit the floor. So, I'm going to have to have the New Testament, right? Have the New Testament. It will be! That'll be the last chapter on the next book. That's where I get to stand in heaven and burn all those who burned me. We all have them. There must be some form of satisfaction that God would give us after a lifetime of crazy. Although, there might be a few people who want to burn my ass up, but that's a whole par for the course. Yeah, that's true. But you know, I know when I went through my crazy years, you know, it wasn't always pleasant. You know, I took it over 10 years. I'm fine. You know, I mean it over the hump. I could never go back to that, EVER. I just look back on it. I cringe. And then go, ‘What the f*** was I thinking? Oh, my God!’ You know, you have everything. And everyone was just consumed with this one lifestyle. And it was. And we all look back on it and go, ‘What the f*** was that, you know? Are you serious? We did that?’ Yeah. Well, they spent money on doing that, but wasting time of my life doing that?’”

Then Luke wound up his spiel by waxing a tad philosophical, again.

lukejwcoloralbinderreduced“I guess, you know, if all roads lead to today's I need to take the whole experience, addiction and craziness in this life, so could leave it behind me more than I like to rationalize it by saying. I have no idea if I'm totally pushed shit or not. It makes a nice hallmark card, right?”

When I posited that his experiences may be intended to help others, he replied:

“Yeah, pay it forward. Contributions when I see brothers in fame - you gotta hang out with ever so many people that are in AA, I might as well be. My whole gene pool of friends. A lot of those people do.”

When I laughed and said that I can always count on him being a hilarious blowtorch whenever we chat. To which he replied:

I'm sorry but catch me first thing in the morning after three of cups of coffee, I have already painted the house. No problem, brother. I know it's better than, 'Yeah.' 'No.' 'Maybe.' 'I don't remember. Ha Ha Ha'. That's the interview."

Our chat took place on September 11th, so I asked Luke about his thoughts about the horrible attacks and where we are today.

“I think we were all affected by that. I mean, whether it be by blood or by soul. Yes. You know, you look at today and we kind of breeze past it because it’s like driving on the freeway and there's a dead body in the middle of the freeway. You know it's there. It's hard to look at it. And I’d like to say that we're in a better place because of it, but I don't see it. I see things really - we're living in a toxic environment in every aspect -whether it be morally, socially, politically or physically. During a time when I got eight-year-old kid, Twelve-year-old daughter. My older kids are 32.”

We then shifted gears to talk about the “40 Trips” CD/DVD.

“Boy, what an excursion that has been in terms of - we've been through a . . . real bad time for us - all but destroyed everything. And you know, that's a tough pill to swallow and that's why it's taken so long to get this f***ing DVD out, because we were held by hostage by somebody who's evil and we had to live through that. And now, like it was out overseas and people here going, 'What the f***'s wrong?' Making it seem like we don't know how to do business or just a bunch of f***-ups that don't know how to release shit, right? Well, the rules of copyrights and whatnot are way different around the world than they are in the United States and North America.

“So, we had no choice. We didn't mean to do that, but we got held up at the last minute. As per someone who hates you that toto1mbprimaryreducedmuch, likes to plan that way. And then for reasons unknown and we don't even know what the it was all about. You spent so much f***ing money. I wish I had the money we spent. But that's the whole of the story. It's been a whole betrayal and the family. It just got tough. But I don't want to get into that too heavily because it's just another reason to sue me - because I breathe. Sue me because I breathe.
“Anyway, that's that. So that's why I was such a pain in the ass because we actually recorded it and filmed it a year and a half, two years ago when we started this 40 trips tour. We were already 43 trips, almost. Actually, it is 43 trips we're about to embark on our last leg of the tour ever. And the U.S. tour, I mean, this band will be dead at the end of this, at least in its current situation.”


“Legal killed us, man. Percentages and lots of money burned in the backyard. They could put 10 kids through college. Wow, just as a ‘f*** you’ from a woman who inherited a billion dollars. But that's a whole 'nother story.”

So, Toto will be no more after this tour?

“Well, Toto as it stands right now is over, yeah.”

“Well, you know what, it is, what it is. And the people that destroyed it know who they are. You know? I mean, I can't tell you what's going to happen in years to come in terms of what I may do with any other members of the band or not. At this point, we all have a lot of stuff we want to do, and we have to get back and take a look at this. A lot of debt to pay off. Sad that it ended. Real sad. That's going to be like this. You know, when things were going so great. Things were going so great.”

When I suggested that Toto could go the route that the guys in Creedence Clearwater Revival took, Luke replied:

“I don't know, man. All I know is that I need to get away from this for a while. Business needs to be subtle and people need to chill out. A lot of accusations and false ones have gone around. It's like a cancer. But you know, what can I say? We're going to go out. I mean, everything's cool between us, you know. We're just going to go out and play our asses off.”

Here's what fans can expect from the CD/DVD:

“It's a great snapshot of, you know, living for four years. I'm glad Paige is in it because Dave's not - you know, his health is not great. He's sixty-five and he's is pretty much is done touring, you know?

Bob Clearmountain mixed it. so, you know, it sounds great. And we only have one take, too. Nigel Dick, the director, had to fake a few things in there because some of the cameras didn't work the night of, you know? We only got one shot. One shot. So, you know, other than that, I mean, I think it came out really well. People really seem to be digging it.”

Because Luke hit me with the heavy bombshell of the current configuration of Toto ending, I asked him what fans can expect from the shows of this tour.

“We're going to give it the best we've got, you know? We're fine. We're just gonna - we just want to get through this and have a great time doing it. We've had an incredible run of this. I mean, the band's going to go out on top of the world. You know, we've had the best year of our life in terms of playing concerts and from a financial level and everything like that. And it hurts to have it torn from me at this point. But, you know, things have a way - I don't know. I can't predict the future. I can predict being me in the future. Ha! Ha! I can't predict the long-term future.”

I didn’t want our chat to end on the sad and negative, so I asked Luke about his work on the new Ringo Starr album, “What’s My Name”.

stevelukatherPRIMARY2019“Yeah, I played a lot on it! I think I plan on like five or six tracks. I wrote one with him. The last time I wrote two tracks with him and Paul McCartney played bass. It was, like, total full circle, I-can-die-now moment. And for me, I was like, ‘Okay, I can die now.’ It doesn’t matter if it sold one copy or a billion, it has the same effect on me and I consider that one of the greatest gifts I've ever been given by another human being, aside from my children.

“But you know, in terms of getting to work with him, I'm seeing him tonight for dinner. We hang. He's my friend - a dear friend of mine after almost eight years, I'm going to be coming back next year to work with him. I told him he'd have to kill me to get rid of me now. We've become great pals. If his name was Billy Jones, he would still be my friend. He's just the coolest guy ever, eve. Ever. Ever. Everything you wanted to get to a billion times. He's just a joy.

“I mean, talk about growing old gracefully. This guy is going to be seventy-nine years old and looks 50. Every bit as Hard Day's Night funny as he's ever been. He plays his ass off and loves music, loves musicians, and has a great wife and a great life and wonderful kids and grandkids. I mean, this guy’s got everything you could ever want in the whole wide world and he's still the warmest, most beautiful soul I've ever known. He's the coolest. What can I say?”

I sensed that Steve Lukather was feeling a bit beat up, so I felt compelled to tell him that my experiences with him have always been positive and that I found him to be kind and generous. To prove my point, I told him the story of how he made it possible for me to meet Ringo before a show in Greeneville, SC, and that will always stand out as one of the highlights of my life. I even have pictures to prove it. I told him that I know that he has to take a lot of crap from people, but I find him to be an all-around great guy. He replied:

“Well, I do take a lot of crap but how do you know that? Yeah, I get a lot of shit from people that have never met me. I'm not surprised by all this shit. I've read some things about me and I'm going, 'Well, not only is that not true, but, wow, why would somebody do that? Why would somebody say that? But I have done some crazy shit in my life. And you know, I do remember a lot of it when I'm coaxed.”

As for what’s on the guitarmeister’s radar for the next year or so, Steve said:

“We're working all the way through the end of October. The day before my birthday is the last gig, ironically. I've got a solo record to do, which I'm kind of going to do with one of my fusion bands. Not fusion record. I'm doing Cruise to the Edge with that same band. I'm going to do Ringo. You know, I'm going to do some Lee Rittenour. I've got my New York Toxic Monkey band. I've got some other stuff to do. I got the second book. There's a documentary in the wind. I got a lot of stuff going. I want to be home a little bit more. I've been on the road some crazy - like 230 days a year for the last nine years.

“You know, whatever. I'm just burnt. I want to stay home a little bit. Watch my kids grow up a little bit - the little one, you know? I'll be back out working. There's a whole bunch of stuff in the wind that I can't tell you about that I'll be doing. So, it's not like I'm sitting around doing nothing. Trust me on that.

Next year's filling up quite crazy right now. Doing some charity stuff. I got this other band - I play in a bunch of different all-star kind of bands, you know, which is fun to do because there's no pressure, I show up, get paid, and leave. It's old school like the old days. You show up, you play the gig, you get paid at the end of it. ‘Oh, great! Thanks!’ It's not like you have to wait for months after everybody puts their paws all over it and takes all the profit. 'Oh, it's over and this costs more than this.' Yeah. People don’t really know this life. It's a rather bizarre one.”

Wrapping up our chat, I asked Luke how his shoulder is doing that he injured over three years ago.

“Oh, you know, it's much better. I haven't done anything to it because I was told not to, and everything they said came true. I've got movement up above - almost to my shoulder, without it hurting. And, you know, I've been working it out, but it's been almost four years and the pain has subsided. The body just sort of took it over. And whatever it did do, it's OK. I have no strength in it. I can't lift much, which is a drag because I've got a little boy that likes to be thrown around in the pool. I get my older boy to come over and play with him because I can't lift him up no more. He's nine years old - like a brick shit house, this kid’s in such good shape. I had to spend all this money on fencing – eight-foot fencing - to keep him in the yard. He's jumping up on the roof and doing crazy shit. I'm getting too old to chase the kid off the roof. I break way too easily.”

He may feel that he breaks easily but it’s obvious that Steve “Luke” Lukather is tough – both physically and emotionally. Try to keep up with all that Luke is involved with by watching these websites: