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  • crozcoverCroz
    David Crosby
    Label: Blue Castle Records
    Release Date: January 28, 2014
    Review Date: January 26, 2014

    Legendary singer-songwriter David Crosby will release Croz, his first solo album of studio material in 20 years. And let me say it right here, right now: It’s been well worth the wait. In fact, it’s freakin’ amazing!

    Featuring 11 new original songs, Croz is a digital and physical release on Blue Castle Records, the label Crosby co-founded with Graham Nash in 2011; distribution is through ADA. The songs are smooth, captivating and thought provoking – just what you would expect from the Rock and Roll Hall of Famer.

    In support of the release, Crosby and his touring band are performing a series of concert dates in early 2014. The shows will feature repertoire spanning Crosby’s entire career, including songs from Croz and his 1971 solo debut If I Could Only Remember My Name, as well as selections from The Byrds, Crosby, Stills & Nash, Crosby, Stills, Nash & Young, and his partnership as a duo with Nash. Accompanying Crosby on the road are James Raymond (keyboards), Shane Fontayne (guitar), Kevin McCormick (bass), Steve DiStanislao (drums, percussion), and Marcus Eaton (guitar).

    “I admit I have been lucky, but this tour is really a high point for me,” says David Crosby. “I get to go out and play this record that we have made LIVE: the studio is good but live is even better. I am going to have a blast, and I suspect anyone else who comes to see us will too.”

    David Crosby, James Raymond, and Daniel Garcia produced Croz; and, Crosby and Raymond (David Crosby’s son) co-wrote a number of the songs together. In addition to Crosby’s band, the album features guest players including Wynton Marsalis (Holding On To Nothing), Mark Knopfler (What’s Broken), Leland Sklar (Find A Heart) and Steve Tavaglione (Morning Falling, Find A Heart).

    Crosby is a two-time Rock and Roll Hall of Famer, inducted with The Byrds and Crosby, Stills & Nash; he is also in the Songwriters Hall of Fame. In addition to his solo work, Crosby still tours and records with CSN, CSN&Y, and as a duo with Nash. He has written books— Stand and Be Counted: Making Music, Making History/The Dramatic Story of the Artists and Causes That Changed America, and the autobiographical volumes Long Time Gone and Since Then: How I Survived Everything And Lived To Tell About It.

    www.davidcrosby.com

  • CSNY 1974
    Crosby, Stills, Nash & Young
    Label: Rhino Records
    Release Date: July 08, 2014
    Review Date: July 06, 2014

    As a young teen who was just realizing that there was more to rock and roll than my very small collection of Elvis records, one of the first songs that I fell in love with that was blaring from the Phoenix area radio stations was the Crosby, Stills, Nash, & Young hit, “Love The One You’re With”.  To this day, it’s a song that makes me stop and listen because of its amazing harmonies and the memories tied to those sounds.

    David Crosby, Stephen Stills, Graham Nash, and Neil Young are releasing, “CSNY 1974”, the long awaited boxed set from their historic 1974 tour. The forty previously unreleased tracks recorded forty years ago will be packaged in several formats and configurations that are sure to please every audio palette. The box set includes all 40 tracks, a 188-page booklet of never before seen tour photos, and a bonus DVD of previously unreleased concert footage; the box is available as a 3CD/DVD set or Pure Audio Blu-Ray (192kHz/24-bit)/DVD set. No matter which format you decide to purchase, the opening tune is “Love The One You’re With”.

    Gotta love it!

    Long-rumored and highly anticipated, “CSNY 1974” captures the band’s one-of-a-kind harmonic alchemy during its remarkable outdoor stadium tour, a trek that

    spanned more than two months, and included 31 concerts, in 24 cities, with combined audiences of over a million people. Produced by Graham Nash and Joel Bernstein, the box set mirrors the electric/acoustic/electric format that the band followed each night on stage, representing an idealized version of a show from the tour.

    "This project has been the most difficult, yet rewarding work I’ve ever done in my 50 years of recording," says Graham Nash. "It rekindled the love I have for my partners and the music we have made together."

    The box set includes some of CSNY’s best-known music; songs like "Suite: Judy Blue Eyes," "Helpless," "Wooden Ships," and "Teach Your Children." During the 1974 tour, CSNY also introduced new songs that emerged later on various albums, like Crosby’s "Time After Time," and Nash’s "Fieldworker. Several songs by Young are previously unreleased, including "Traces," "Love/Art Blues," "Goodbye Dick," and "Hawaiian Sunrise."

    To pick up your copy of “CSNY 1974”, click on one of the icons below or visit your favorite store where great music like this is sold.

     

  •  

    Posted March 2019

    GrahamNash2cropped creditAmyGrantham cropPhoto by Amy GranthamI have often heard it said that the baby boomer generation had the greatest music. I happen to agree wholeheartedly. One of the reasons I feel that way is because of the iconic work by the legendary Graham Nash. Whether it was his work during his time with The Hollies or the prolific period with Crosby, Still, Nash (and, sometimes, Young) or in his various solo pursuits.

    Because Nash was, once again, going to be performing in East Tennessee (this time at Chattanooga’s Walker Theater), I was granted the opportunity to chat with the musical icon about his latest album, Over the Years, and the supporting tour.

    After some small talk about his recent vacation that he just returned from, I mentioned that he was going to be playing in Chattanooga (easy driving distance from me) and that I met with him during his show in Knoxville (even closer to me). He interjected with this neat bit of news:

    “You know, in Knoxville, I was approached by the City Council just very quickly. The idea was that the Everly Brothers spent the first eight years of their life in Knoxville. They were on their parents’ radio show in Knoxville. So, the Knoxville City Council approached me and said that they’re going to make a small park in honor of the Everly Brothers. Part of their design is, on the walk through the park, there are marble stones on the floor that are carved with quotes from quite famous people about the Everly Brothers. They wanted to know if I could help find people that would give a small quote and get permission to put their signature carved into the marble. So far, I have me, of course. I have Keith Richards. I have McCartney. I have Paul Simon, Art Garfunkel, Brian Wilson. Incredible stuff, you know? I just thought I’d tell you that because you familiar with Knoxville. How could I not be involved when it’s the Everly Brothers? They’re part of the reason we are talking right now! Ha! Ha!”

    Shifting our chat to his new CD, I asked Graham to tell me about it.GrahamThinkingBW2

    “I realized a year ago that there’d never been a ‘Greatest Hits’ of my music. Yes, greatest hits of CSN. Greatest hits of CSNY. Greatest hits of the Hollies, etc. But not of me, personally. So, I went on the internet and found out what my friends’ fifteen most favorite songs of mine are and I put them on. And, then, I thought, ‘You know, people have probably bought all this music – maybe even several times. How could I make it more interesting and more desirable?’

    “So, I decided that I would go into my archives and find the demos of those songs and put them on. That’s what it became. The artwork was done by my wife, Amy Grantham.”

    When I asked if the album cover was shot in Switzerland (which I thought it looked like it had), he said, “It’s actually a National Geographic image from many years ago and Amy put the boy in there.”

    Over the Years is a two-disc collection that includes original demos of some of Nash’s biggest hits. I asked him which song he would point to as a calling card for the collection.

    GrahamNashColorBackstage“It would be ‘Marrakesh Express’ because that was the demo that I sent The Hollies and they made a very half-hearted attempt to record it. To me, in my mind and being the writer of that song, I needed the energy of a moving train through it, which Stephen (Stills) brilliantly did on the CSN version of Marrakesh. I think if people hear the original demo, they’ll realize a couple of things. One: that the arrangement of the song didn’t change that much from my demos. I notice that the arrangement of each was already complete in my mind when I made the demo.

    “And ‘Teach Your Children, of course, is another one. I started that song in the north of England, and I finished it in Los Angeles in early ’69. But you can hear that the arrangement – apart from the fact that there’s a solo in there that was done, of course, by Jerry Garcia – the arrangement is pretty much the same as my demo.”

    Clearly, those songs and the songs of Nash’s peers in the same periods of time, they still stand on their own. In fact, a recent study showed that millennials more readily recognize that era of music more quickly and readily than their own era of music. I mentioned that to Graham, and he interjected.

    “You know why? First of all, the melody. It’s the melody of all those songs. Today’s music – there’s a great deal of great music, of course. Particularly, ‘This Is America’. There are some great Hip-Hop songs; great songs out there. But I love an identifiable melody and identifiable lyrics. I think that might be one of the reasons why that they’re preferring our genre to theirs.”

    A few days prior to our chat, the Super Bowl had just been played and there was tremendous buzz about the pros and cons of the half-time show by Maroon 5 and that classic rockers should be chosen for those shows because they’re historically much more well received. To that point, I asked Graham if he, David Crosby, Stephen Stills, and Neil Young were offered the gig to play halftime, would they do so?

    “I cannot speak for David and Stephen and Neil, but I can speak for myself and I would not do the half-time show at the Graham pondSuper Bowl because of Colin Kaepernick, you know? This man has been trying to bring awareness of the fact that black kids are being killed almost daily by the police. His protest against that by taking a knee was incredibly symbolic. Regardless of what Maroon 5 did, musically, on the half-time show, they could’ve put people on their side instead of all the incredible negative posts I’ve seen about their performance. If they would’ve taken a knee. How hard would that have been?”

    I asked Graham what form that the “knee-taking” have taken, his opinion.

    “Adam Levine could’ve – at the beginning of one song – on his knee. Even if it was for only ten seconds of a song, it would’ve been incredibly symbolic for him to have done that and they chose not to. I think it was to their detriment.”

    I then asked Nash if they (CSN) would not have done the same thing (take a knee during part of a song).

    “I have a feeling that if we – the four of us - did do it, it would be an incredible ten minutes of protest. Ha! Ha! I just can’t imagine singing Ohio with the boys – well, I tell you, I could imagine it, but that’s the kind of stuff that we would do. We would turn that – because of Kaepernick – we would turn our performance into a protest, I believe.”

    And what causes are on Graham’s front-burner about these days?

    “We get asked to do a lot of benefits and you have to prioritize your time. You have to figure out the two or three things most important to you because you can get scattered by supporting many, many causes. It kind of dilutes everything because you can’t put a great deal of time into every single cause.

    Nash3“And, so, certainly climate change. Certainly, the future of our children in terms of education, and the nuclear problem, still. I read yesterday that Russia supposedly has the ability to explode a nuclear bomb underwater, creating a tsunami that would wipe out Miami and parts of New York, all of Bangladesh. It’s insane. The world is run by these major corporations and several of them are military manufacturers. They’re just playing a game. They don’t give a f*** about people’s lives. They only are interested in making more profit for their company. And, unfortunately, war is an incredible way for these military people to make money. That’s a crime, as far as I’m concerned.”

    When I opined that the difference between Russia and the United States is that we know how to pronounce the names of our mobsters, Graham chimed in and said, “Yes! Trump, Trump, Trump, and Trump!”

    What’s on your radar for the rest of the year and next year?

    “More creation. More music. More art. More trying to make the world a better place for myself and for my immediate loved ones. Just more creation. I can only do what I do best. When I find something that is worth writing songs about and talking about, then I will do that.”

    And when will we see another Graham Nash album?

    “When we did my album, This Path Tonight, we recorded twenty songs and we only used ten of them – thirteen if you bought the deluxe thing from iTunes. So, I have songs left over from those sessions. I have new songs that I’ve been writing and, together, I’ll start preparing the next album while I’m on the road.”

    Graham Nash is touring this year so I asked him what can fans expect from him during his shows.NashSteps1

    “They can expect me to want to be there. I want them to know that I want to be there making music for them and I also want to see them smile on their way out so that I know that I’ve done my job.”

    You can order tickets to put that kind of smile on your face – courtesy of Graham Nash – by visiting GrahamNash.com to order your tickets as well as keep up on the latest with Graham and order his music.