Posted May 2017
Sometimes when an artist of any stripe is described, the word “genius” is used. I’d go so far as to say that it is often overused. However, one artist who more than deserves such a label is Todd Rundgren.
Rundgren is one of those rare artists who require more than one superlative to describe his creative output. Innovative? That’s a given. Prolific? Just look up his discography and the answer will hit you between the eyes. Timeless? Absolutely. All of those certainly work and are quite applicable. I’d also go so far as to describe Todd as being often on the bleeding edge of musical evolution yet has the uncanny ability to create classics that will endure the ages.
How else would you explain his popularity to sell out his own tour, be asked to join Yes on their Yestival tour and the work with Ringo Starr’s All-Starr band for the past six years?
His fans loyalty are the stuff of folklore. Affectionately referred to as “Toddies,” their passion for all things Todd could be to those of Deadheads and Trekkies combined.
prior to a show with Ringo as he fervently looked for some guests who were apparently no-shows. He was desperately attempting to find them so that they could meet the band. In either case, his stardom could’ve garnered disinterest in either story but he and his team displayed incredible graciousness. That’s what makes me a fan.
From a statistical standpoint, Rundgren has a musical catalog that has – and will continue to – stand the test of time. SteveI view Rundgren and his team from a slightly different perspective. For one thing, Todd and his management team have tremendous hearts. They didn’t know me from Adam when I contacted them for an unearned favor to cheer up a friend and loyal reader. Without any question, the obliged. I also watched Todd backstage
Orchard from the radio station, The Frog, in the upper peninsula of Michigan, tells me that Todd’s biggest selling project was his 1972 double album, “Something/Anything,” which included his
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